The band wasted no time and released a second full album Sol-fa (2004) that topped the charts for two weeks. With the ground paved by two successful singles, "Mirai No Kakera" and "Kimi To Lu Hana," it sold 250,000 copies. This was followed by the band's first LP, Kimi Tsunagi Five M (2003). Their first attempt in that direction, "Kona Yuki" off I'm Standing Here, got picked by radio, and their first Japanese-only EP, Houkai Amplifier ("Destroy Amplifier," 2003) turned out to be their breakthrough: it got rave reviews and scored in the Top 40 of the indie section of the Oricon charts. However, in the beginning the band spent several years playing local gigs and making small-label releases, known in Japan simply as "indies." The three first EPs, recorded during the course of 2000-2001 - The Time Past and I Could Not See You Again, I'm Standing Here, and a split with Caramel Man - had lyrics sung in English and broke no new ground for the band, but the experience allowed Asian Kung-Fu Generation to mature and realize they should aim for domestic listener. Soon they were joined by drummer Ijichi Kiyoshi, and this lineup proved to be stable, lasting over the course of three albums and while gearing up to release their fourth in spring 2008, not counting the many singles - important releases in Japan, where CD prices are among the highest in the world, increasing the demand for cheaper records. It was the first and, to date, the only major project for three of its members - Masafumi Gotou (lead vocals and guitar), Takahiro Yamada (bass and vocals) and Kensuke Kita (guitar and vocals). Asian Kung-Fu Generation are one of the most successful indie rock bands of Japan ("indie" standing for the genre, not the recording label), with their Weezer/punk tinged sound enjoying a popularity that even Weezer themselves hardly ever had on their side of the Pacific.ĪKFG began as a college band back in 1996 in a private university in Yokohama.
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There’s something about these lyrics that truly capture a lot of my high school experience, and I think many can agree. They’re repetitive, and it seems to reflect the uncomplicated, adolescent life that the 16 year old is clinging to. Like I said, the lyrics of Ribs are simple. 16 year old Ella O’Connor managed to construct a perfect manifestation of what it means and what it feels like to grow up in a society that glorifies adolescence and youth with both her simple but deeply relatable lyrics and a sound that inspires reminiscence in this iconic song of hers. The song does indeed have a “coming of age movie” vibe to it, and it resonates with so many in our generation for a reason. A few months ago, the song inspired a trend on the app of people dancing with friends in the rain, or even simply lying on the ground in the pouring rain as the song played, attempting to live at least a moment as if they were the main character of a dramatic coming of age movie. The hashtag #RibsByLorde has 14.2 million views on the app, featuring videos that mostly share a common theme of teenagers and young adults sharing their own lament of their fading youth, sometimes even crying or pretending to cry in the videos. It is not a mistake that one of Lorde’s most popular songs, “Ribs,” from her first album, has become almost a staple on Tik Tok for many Gen Z teens, representing the whirlwind of emotions that accompanies coming of age. |
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